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Making Not Taking

 Making, Not Taking

Photography is not holding a mirror to reality. A camera captures a selected perspective from a point in time, but the truth is a continuum not an instant. 

Clever lighting can drastically affect appearance. A wide or long lens distorts space and distance, while the right instant may depict a totally misleading narrative. Fit a wide enough lens, and the smallest among us will tower over mountains; hit the shutter at the right instant, and lies become truth. 

I elected to convey my cynicism using an actual mirror - a warped old sheet of silvered glass.. Using mirrors to distort space is popular to the point of being cliche, but rarely are they pointed back at the photographer. 

I initially placed the mirror on an easel and  planned remove it in post by compositing a second exposure with neither. Unfortunately, this first attempt was a substantial failure - aiming the mirror was nearly impossible, and the smallest movement from wind moved it substantially. 



On my second attempt, I had a friend model as "photographer" and held the mirror myself. As you can guess from my shabby appearance, I had initially hoped to combine the image with an empty landscape, but I prefer myself in the image.






I swear I'm not this fat in real life. Blame the medium.



Comments

  1. This a great photo. It has a unique arrangement of elements. I think adding yourself to the frame instead of combining the image with the empty landscape works better and adds more to the composition.

    ReplyDelete
  2. Very nice arrangement of the composition.

    ReplyDelete
  3. I really really like the first photo, compositionally it's very strong and I love how the light bounces off the guy holding the mirror.

    ReplyDelete

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